EVENTIDE’S ECLIPSE V4.0 SOFTWARE UPGRADE INCLUDES TIMEFACTOR and PITCHFACTOR EFFECTS

Eventide today announced the release of V4.0 software for its Eclipse Harmonizer® processor, further demonstrating its commitment to the thousands of Eclipse owners and the capabilities of the product. Most importantly, the new software adds the entire catalog of Eventide TimeFactor and ModFactor stompbox effects to over 500 presets. The V4.0 software release adds the ability to run full Eventide stompbox algorithms and other select Eclipse effects simultaneously. As an example, users now have the ability to run stereo delays feeding an ambience effect while the stompbox parameters will be mapped to the four hot keys on the Eclipse. The new software also significantly accelerates program loading.

Widely used by professional touring musicians, live sound engineers, and top recording studios alike, the Eclipse Harmonizer comprises hundreds of Eventide’s best effects in a compact dual-engine processor which is capable of running two stereo effects at one time, either in serial or parallel. Any parameter can be adjusted in real time using a standard MIDI foot controller or an expression pedal, making the Eclipse one of the most expressive effects processors available.

“This milestone software release makes the Eclipse even more enticing,” noted Ray Maxwell, Eventide vice president of sales and marketing. “We continue to add value and optimize the performance of this superb hardware processor with the addition of our best-selling TimeFactor and ModFactor algorithms. With this update, the Eclipse maintains its edge as the go-to rack processor for performance or studio. Now, in the studio, you can have the very same effects that appear in our stompboxes also accessible with S/PDIF, AES or ADAT digital I/O.”

The new software will be released to public beta by the end of January and will be released to production in February 2009. Eclipse V4.0 software is a free download for Eclipse owners who have registered their product at Eventide.com.

STEVEN TRACY OF THE MYRIAD AUGMENTS VERSATILE STYLE WITH EVENTIDE’S MODFACTOR STOMPBOX

Currently touring with an Eventide ModFactor, Steven Tracy of Seattle-based rock band, The Myriad, is exploiting the versatility and high performance of Eventide’s newest stompbox. Tracy, a guitarist, pianist and keyboardist, purchased the ModFactor for its high-quality modulation effects and portability while The Myriad, MTV2’s Breakout Band of the Year, travels across the United States.

The Myriad recently released the album “With Arrows, With Poise” (Koch Records) and was featured on MTV as the “Artist of the Week” at the time of the release. The album was mixed at Hansa Studios in Berlin, Germany by Michael Ilbert (The Cardigans, Kent, The Hives) and mastered at Abbey Road Studios in London, England by Adam Nunn (Air, Radiohead, Franz Ferdinand, George Martin, Mogwai), as well as at acclaimed Sterling Sound in New York City by Greg Calbi (Beastie Boys, John Mayer, Interpol, Norah Jones). Since the album's release, the band has toured extensively, playing with bands such as Lovedrug, mewithoutYou, Mutemath and As Tall As Lions.

The diversity of The Myriad’s music requires a comprehensive effects box that features immediate access to customized controls and studio quality performance. “The Myriad’s genre of music is very diverse and artistic and we need to replicate a wide variety of modulation effects to provide the same sonic complexity that we achieve in the studio,” Tracy said. “I chose ModFactor because it produces tremendous effects and because its capabilities are seemingly endless.”

ModFactor delivers studio quality performance with the speed and convenience of a stompbox. ModFactor also provides an added level of flexibility with built-in capabilities such as: a plug-and-play expression pedal input for control of wet/dry mix, or any combination of parameters; MIDI program change and parameter control; instrument or line level inputs and outputs; and seamless adaptation with a wide variety of amps and other foot pedals.

Commenting on the application, Eventide Vice President of Sales and Marketing, Ray Maxwell said, “With the range of tools available to recording artists and producers, it’s gratifying to see how today’s top performers, engineers and producers naturally gravitate to Eventide stompboxes in the same way rock icons Led Zeppelin and Frank Zappa used the original Eventide rack-mount processors to create their own signature sound.”

About Eventide

Founded in 1971 in New York City, Eventide is a leading developer and manufacturer of digital audio processing products for recording, broadcast, and live performance. Headquartered in Little Ferry, NJ, Eventide developed the H910, the first Harmonizer® effects processor in 1975, and introduced the H3000 Ultra-Harmonizer effects processor in 1987. Visit Eventide online at eventide.com.

Eventide and Harmonizer a registered trademarks of Eventide Inc. ©2008.

ANDRE’ CHOLMONDELEY ADDS TO MULTI-FACETED GUITAR SOUND WITH EVENTIDE TIMEFACTOR STOMPBOX

“The TimeFactor lets me do things during performances that I wouldn’t be able to do unless I had both hands free, and then some.”
– Andre’ Cholmondeley, guitarist

Andre’ Cholmondeley, best known as a guitarist for Zappa-repertoire band Project/Object, has distinguished himself by his uniquely versatile approach to the instrument. As such, Cholmondeley regards technology as a very crucial extension of his guitar. This attitude led Cholmondeley to the Eventide TimeFactor stompbox, which he has incorporated into his sound for the studio and on the road. As guitar-tech for experimental guitar icon Adrian Belew, and formerly Al DiMeola, Cholmondeley has worked with most of the top delay and effects devices available.

In addition to Project/Object, Cholmondeley is involved in other projects including Delicious (a 3-piece psychedelic instrumental band) and Don Preston, Frank Zappa’s original synthesizer player. While the diversity of Cholmondeley’s numerous projects belies his experimental nature, Cholmondeley has found common technical threads between different musical styles and eras. “Echo and delay have always been major components in modern music,” he said. “All those bands in the 1960s used vintage tape delay and reverb was always a big thing. With the TimeFactor I can recreate that ‘60s, vintage tape delay sound, but I can also find delays heard in today’s music. So this little box actually takes you through the different eras of music, one delay at a time!”

Utilizing the TimeFactor’s stereo input and output, Cholmondeley runs his guitar through two amplifiers. “Since Delicious is a trio, I need to fill up a lot of space and the TimeFactor gives me a real nice wash of sound,” he said.

Additionally, since the TimeFactor stompbox boasts a level of functionality normally only found in rackmount equipment, Cholmondeley can now take studio-quality performance to the road. “I’ve owned every kind of delay pedal, I’ve worked with tape delays in the studio, but the TimeFactor lets me do things during performances that I wouldn’t be able to do unless I had both hands free, and then some,” he said. “The ability to save different delays in patches and store so many different settings is really unique for a pedal.”

Cholmondeley also cites the TimeFactor’s modulation effects (including chorus and light flanging) as unique yet extremely beneficial features of the stompbox. “Nobody has incorporated modulation into a foot pedal to this extent,” he said. “Combine that with the ability to store the delays in so many different combinations, and my live performances have really become 3-dimensional.”

KORA MUSICIAN DAVID GILDEN FINDS THE POSSIBILITIES ARE ENDLESS WITH EVENTIDE TIMEFACTOR STOMPBOX

“Eventide has really packed a lot of features into a small box.”
– David Gilden, musician

Drawn to the benefits of having rackmount effects processor capabilities in an affordable and upgradeable stompbox, accomplished kora musician David Gilden recently added an Eventide TimeFactor effects pedal to his touring rig. Since the 1980s, Gilden has toured extensively as a solo artist and with the band Cora Connection, and is one of the world’s most accomplished masters of the kora, a traditional African harp-lute.

After experimenting unsuccessfully with other stompboxes and processors, Gilden discovered the TimeFactor, a twin delay stompbox that includes Eventide’s 10 best delay effects integrated into a compact, upgradeable package. “I listened to the online demo, heard some of the effects and was totally blown away, because it has the sounds of bigger boxes that typically cost $2,000 or more,” Gilden said.

The TimeFactor features MIDI, USB for software upgrades, and 10 time-tested stereo or dual mono delay effects, including Digital Delay, Vintage Delay, Tape Echo, Modulated Delay, Ducked Delay, Band Delay, Filter Pong, MultiTap Delay, Reverse Delay, and a 12-second Looper. Additionally, v2.0 software is now available for the TimeFactor. The software, free to registered users, downloads and installs easily by simply plugging the USB outlet into an Internet-connected computer, and provides users with an impressive set of new features and improvements.

As a successful touring musician, Gilden was attracted to the TimeFactor’s compact size. “Eventide has really packed a lot of features into a small box,” he said. “Most comparable pedals are 20 percent bigger and I would need three of them to get all the sounds I can get from the TimeFactor. Normally at gigs, it takes me 20 minutes to set up my equipment and another 20 minutes to break down. Now I can see myself plugging in a preamp for the kora, plugging in the TimeFactor, and I’m good to go.”
Further adding to Gilden’s convenience is the TimeFactor’s versatility and ease of programmability. According to Gilden, “With the TimeFactor, you can pair up multiple presets in different banks. Now I have an infinite amount of possibilities stored and when I go to gigs, I can easily access all of them.”

However, the benefits of the TimeFactor go far beyond convenience. With so many features enabling a limitless combination of delay effects, the TimeFactor is easily customizable to suit any musician’s style. “You have to spend some time with it to make it your own,” Gilden said. “I have some really dreamy washes and have done some really cool things where I can build up a couple layers of sound, hit the infinite repeat and then solo on top of it.”

More information about David Gilden, including performance dates and music clips, can be found at www.coraconnection.com

GUITARIST KEVIN HUNTER FINDS THE TECHNOLOGY TO MATCH HIS TALENT WITH EVENTIDE STOMPBOXES

“The TimeFactor and ModFactor offer so much flexibility in a compact pedal.”
– Kevin Hunter, guitarist.

Looking for the perfect combination of versatility, performance and portability, guitarist Kevin Hunter has added the Eventide TimeFactor and ModFactor stompboxes to his repertoire. Hunter, the former guitarist for Jive Records recording artist Lesley Roy, is currently working on a project with producer Hal Willner (Lou Reed, Lucinda Williams, Marianne Faithfull).

Hunter’s list of credits speaks to his versatility as a guitarist. He has worked with a variety of artists that includes Shania Twain, Janet Jackson, Al Jarreau and P. Diddy, to name a few. When discussing Hunter’s influences (which range from pop acts like the Beatles, Van Halen and Radiohead to less mainstream guitarists like Alan Holdsworth), the roots of this versatility become apparent, as does his need for a diverse array of effects. “I’ve gone through hundreds of different effects boxes and am always trying to stretch my boundaries,” Hunter said. “A friend of mine told me about the Eventide pedals and recommended I try them out. I have an Eventide H8000FW in my recording studio in Amsterdam, and I called up Eventide and they were able to answer all my questions.”

Hunter purchased a TimeFactor and a ModFactor—Eventide’s first two stompbox models. Small enough to fit on a pedalboard or in a gigbag, the TimeFactor and ModFactor are full-featured Eventide studio-quality stompboxes. The TimeFactor twin delay stompbox includes 10 stereo or dual mono delay effects, including Digital Delay, Vintage Delay, Tape Echo, Modulated Delay, Ducked Delay, Band Delay, Filter Pong, MultiTap Delay, Reverse Delay and Looper. The ModFactor modulation effects stompbox includes 25 of Eventide’s best modulation effects, including multiple versions of Phaser, Flanger, Chorus, PolyMod, TremoloPan, Undulator, Vibrato, Q-Wah, ModFilter and RingMod.

Since Hunter purchased the TimeFactor and ModFactor pedals, they have become a fixture in his rig, both in the studio and on the road. “I used to carry a lot of effects boxes around with me but now I just carry the two Eventide pedals with an expression pedal for each and a T Rex Dr. Swamp distortion pedal,” he said. “They offer so much flexibility in a compact pedal.”

Guitarist Kevin Hunter Finds The Technology To Match His Talent With Eventide Stompboxes

“The TimeFactor and ModFactor offer so much flexibility in a compact pedal.”
– Kevin Hunter, guitarist.

Looking for the perfect combination of versatility, performance and portability, guitarist Kevin Hunter has added the Eventide TimeFactor and ModFactor stompboxes to his repertoire. Hunter, the former guitarist for Jive Records recording artist Lesley Roy, is currently working on a project with producer Hal Willner (Lou Reed, Lucinda Williams, Marianne Faithfull).

Hunter’s list of credits speaks to his versatility as a guitarist. He has worked with a variety of artists that includes Shania Twain, Janet Jackson, Al Jarreau and P. Diddy, to name a few. When discussing Hunter’s influences (which range from pop acts like the Beatles, Van Halen and Radiohead to less mainstream guitarists like Alan Holdsworth), the roots of this versatility become apparent, as does his need for a diverse array of effects. “I’ve gone through hundreds of different effects boxes and am always trying to stretch my boundaries,” Hunter said. “A friend of mine told me about the Eventide pedals and recommended I try them out. I have an Eventide H8000FW in my recording studio in Amsterdam, and I called up Eventide and they were able to answer all my questions.”

Hunter purchased a TimeFactor and a ModFactor—Eventide’s first two stompbox models. Small enough to fit on a pedalboard or in a gigbag, the TimeFactor and ModFactor are full-featured Eventide studio-quality stompboxes. The TimeFactor twin delay stompbox includes 10 stereo or dual mono delay effects, including Digital Delay, Vintage Delay, Tape Echo, Modulated Delay, Ducked Delay, Band Delay, Filter Pong, MultiTap Delay, Reverse Delay and Looper. The ModFactor modulation effects stompbox includes 25 of Eventide’s best modulation effects, including multiple versions of Phaser, Flanger, Chorus, PolyMod, TremoloPan, Undulator, Vibrato, Q-Wah, ModFilter and RingMod.

Since Hunter purchased the TimeFactor and ModFactor pedals, they have become a fixture in his rig, both in the studio and on the road. “I used to carry a lot of effects boxes around with me but now I just carry the two Eventide pedals with an expression pedal for each and a T Rex Dr. Swamp distortion pedal,” he said. “They offer so much flexibility in a compact pedal.”

About Eventide
Founded in 1971 in New York City, Eventide is a leading developer and manufacturer of digital audio processing products for recording, broadcast, and live performance. Headquartered in Little Ferry, NJ, Eventide invented the H910, the first Harmonizer effects processor in 1975, and introduced the H3000 Ultra-Harmonizer effects processor in 1987. Visit Eventide online at eventide.com.

Eventide and Harmonizer are registered trademarks of Eventide Inc.

All other trademarks are the property of their respective owners.