Soundcraft Upgrades Successful Lexicon-Equipped Mixers

Soundcraft has taken the already successful MPM and MFX Series of mixers and given them both hardware and audio performance upgrades.

The new Soundcraft mixers, known as the MFXi and MPMi Series (emphasizing the high input count on each), build on the strength of the original range by using vertically mounted PCBs with the control pots being nutted to the front panel. This not only increases the rigidity of the mixer and gives a firm operating feel, but also aids servicing should it ever be required. As part of this review, all aspects of new the layouts were reviewed taking into account customer feedback over the past 18 months and this has yielded many other subtle but significant improvements to the layout, graphics and operation when compared to the original consoles

The MFXi has integral Lexicon effects, something that only Soundcraft are able to offer. Using the same AudioDNA® processor featured in many of the Digitech® and Lexicon® outboard products including the­­ highly respected Lexicon MX400, which provides the finest quality effects ever found in a console at this price level. The mixers boast 32 effects presets, a user settings store function, 3 parameter controls and a tap tempo mode. These effects have been optimized for integration within the console to provide the lowest noise floor and to deliver the best sound.

Both the MFXi and MPMi provide two group busses, three aux sends, (two auxes and one FX send on the MFXi model) and two stereo input channels. The MPMi is available with 12 or 20 mic inputs, giving a maximum mix input capacity of 18 or 26 inputs, while the MFXi is offered in 3 frame-sizes with 8, 12 or 20 mic inputs, these having a mix capacity of 16, 20 or 28 inputs..

Soundcraft has taken the hardware development opportunity to fine-tune the audio design and to further enhance the audio performance of the mixers, further improving key specifications including noise and distortion performance.

What is unique about both new models, and a feature that will be appreciated by many, is the provision of a slot on the chassis which accepts a standard Kensington® laptop computer cable lock, meaning that your mixer can be secured in a venue, installation or retail display.

The combination of a wide range of features and world leading Lexicon effects, and smallest footprint of any comparable console, makes the Soundcraft MPMi and MFXi mixers the perfect solution for many venues including theatres, small music venues, restaurants and houses of worship.

The 12-channel versions are now supplied with rack mount ears included, while these are available as an option for the 8 and 20 channel MFXi model.

Soundcraft, Studer And Optocore Partner For Control Of Optocore Mic Preamps Over Network

Initially announced at last year’s Pro Light & Sound, the partnership between Soundcraft, Studer and Optocore is bearing rich fruit as the companies develop further features for the interface between Soundcraft and Studer consoles and the Optocore fibre network. Last year, Optocore and Soundcraft Studer co-developed the DD2FE network MADI interface that allowed Studer Vista and Soundcraft Vi Series consoles to transmit up to 128 input and 128 output channels of audio over an Optocore network.

The teams have now announced that using the Optocore DD2FE, Soundcraft Vi Series consoles and Studer Vista consoles are now able to remotely control the microphone preamplifiers in the Optocore LX4AP stagebox, which features 48 mic inputs. This has been enabled through Optocore’s integration of the Studer D21m I/O system control protocol into their topology. Vi Series and Vista consoles can already remotely control the preamps in their own stageboxes over the network, allowing multiple consoles and stageboxes to be interconnected with full redundancy.

The ability to remotely control stagebox gains over the Optocore fibre network is a major advantage for users, giving that extra degree of flexibility and gain control over the relevant parts of an installed system, particularly in Theatres.

For more information, contact Soundcraft (www.soundcraft.com ), Studer, (www.studer.ch ) or Optocore (www.optocore.com )

AKG Launches C 214 Stereo Set Offering Maximum Consistency And Accurate Localization For Stunning, Three-Dimensional Recordings

Demonstrating the outstanding performance value and versatility of the C 214 microphone, AKG today launched the C 214 Stereo Set today at NAMM. The rugged construction of the C 214 delivers a highly detailed and accurate sound not only in the studio, but on the road as well. The introduction of the Stereo Set provides users with a complete solution that delivers outstanding performance and excellent quality from a pair of C 214’s.

“Realistic stereo recordings require microphones with outstanding performance and excellent quality,” comments Thomas Stubics, Product Marketing Manager for Recording and Broadcast at AKG. “It also requires performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair of C 214’s is created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method and the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, 3-dimensional recordings.“

The C 214 is a cost effective alternative to the revolutionary C 414 and is capable of handling the rigors of high-pressure sound, such as amplified guitars, with sensitivity perfect for voice and orchestral instruments as well. The C 214 boasts the highest dynamic range in its class and features a low cut switch enabling operation in low phantom power voltages from 12 to 48 volts.

Additional features include 156 dB SPL capability, an integrated suspension, double mesh grill and high RF immunity. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the XLR-type output connector offers loss-free signals.

Commenting on the C 214 is Grammy Award Nominee, Hal Winer, owner of BiCoastal Music. “I've been using the C 214’s regularly and I absolutely love them! I've used them for a wide range of recording applications and I find them especially great for jazz kick drum. It's been very difficult to find a microphone to represent that small and tight sound that a jazz kick has and the C 214 is absolutely the best microphone I’ve ever used in that application. Piano, voice and guitar amp applications have been equally successful."

Hal Winer has produced records for world-renowned artists including Rob Thomas, Björk, Joe Lynn Turner, Tony Levin, John Patitucci and Mike Stern. "They have become my ‘go to’ microphone for almost everything and I keep them mounted on stands for regular use," said Winer.

Accompanying a pair of C 214’s, the Stereo Set includes spider-type shock mounts, stand adapters, windscreens, and a stereo pair certificate for authenticity.

Studer Introduces New Vista Software Version Specific For Theatre Applications

Soundcraft Studer is now established as one of the world’s leading providers of digital consoles offering a full range of consoles to the Theatre market, from local and provincial theatres right up to Broadway/West End venues.

The Studer Vista range of consoles is rapidly growing in the theatrical community, with the Vista 5 recently used on large-scale productions in New York on the new productions of West Side Story and Road Show, The Musical.

In addition to the already extensive theatre specific functionality, Studer has now introduced new Vista software version 4.2, which greatly enhances the sound design and production workflow for cue-based theatre productions.

The new software provides extended cue list functions including time-based cue recall, MIDI MMC commands for sound FX playback triggers, as well as the introduction of some brand new cue events.

Library Events:
Characters in a musical or play can now be given any desired library entry (e.g. a special EQ setting) on a cue by cue basis. This allows easy adjustment, either temporary or permanent, of these library settings, as well as a very straightforward way to replace the settings of an actor with replacement-actor or understudy settings.

VCA/Mute Events:
VCA assigns and muting of channels can now also be entered on a cue by cue basis, without the use of snapshots, for a much easier and comprehensive way of building a show.

Virtual Vista:
Also announced with version 4.2 is the Virtual Vista PC-based online and offline editor, so the sound engineer can move around the theatre and make adjustments to level and EQ from all the key audience seating positions, live. This can also function as a console control back-up, working in parallel with the desk.

This is also a useful training and demonstration tool, and can be obtained by contacting Studer or a local sales representative.

Together with the Vista’s already extensive facilities, which suit Theatre sound, such as high input/output capacity, the acclaimed Vistonics™ user interface, distributable stagebox systems, control surface configurability, very compact footprint and outstanding sonic performance, the Studer Vista series of consoles are now the perfect choice for world class theatres.

More Option Cards For Soundcraft Vi Series Add Broadcast Appeal And Bring Recording Opportunities

More option interface cards for the Soundcraft Vi Series Digital Live Sound consoles have been released, expanding the applications of the highly popular digital mixer into Broadcast, and adding easy capabilities for direct recording from the desk.

Using the ADAT card, it is possible to connect 2 ports of 8 channels (inputs and outputs) to an ADAT-equipped hard disk or software-based recorder, so 2 cards would enable 32 channels of audio to be recorded and played back almost instantaneously.

The SDI and Dolby® E cards will be welcomed by broadcasters, as it means the desk can handle the de-embedding of audio channels from within SDI video streams (and re-embedding for onward transmission), and the decoding of up to 8 channels of audio from a Dolby Digital or Dolby E stream. All individual audio channels are then available within the Vi Series’ digital patchbay for mixing.

The Dolby E card holds 2 complete decoder sections and saves both space and weight in critical applications such as OB vehicles.

For more information, visit www.soundcraft.com

The Versatile Rhythm Pack From AKG Is the Ultimate Live Or Recording Microphone Set For Any Drummer

Intelligently designed to include a dynamic range of equipment for any drummer, the Rhythm Pack features some of AKG’s finest microphones at an incredible price. The Rhythm Pack is fully-equipped with a D 112 Dynamic Bass Drum Microphone, 2 C 430 Miniature Condenser Microphones for overhead recording and 3 D 40 Dynamic Instrument Microphones for toms and snare. In a single package, drummers are equipped with everything they need to perform both in the studio as well as on stage. The durable Rhythm Pack is designed with a rugged aluminum carrying case for protection and 3 mounting brackets, 3 mic stand adaptors and 2 windscreens are also included.

The D112 Dynamic Bass Drum Microphone is a large-diaphragm microphone that is the perfect selection for on stage and studio applications as it is capable of handing extremely high SPL capability and is also suitable for bass instruments. The D112 is one of the worlds best kick drum microphones as it handles up to 160 dB SPL without any audible distortion.

Featuring AKG’s patented Varimotion™ diaphragm technology, the D 40’s response is fine-tuned without extra tuning resonators. With custom-built capsule mounting, a spring steel wire-mesh grill and a heavy all-metal body, the D 40 is a durable and reliable microphone solution for the active demands of live musicians.

Specifically designed for cymbal and overhead miking, the C 430 Miniature Microphone mounts securely on all microphone stands and its compact dimensions are suitable for any application.

AKG Reincarnates A Legend With The Introduction Of The C 747 V11 Microphone At Musikmesse

Bringing new life to the classic C 747 microphone, AKG has redesigned the “pencil microphone” to better cope with specific installed sound issues, AKG announced today at Musikmesse. The updated C 747 V11 brings a new form of premium microphone quality to conference applications and maintains its predecessor’s reputation as one of the most versatile microphones in the AKG product range.

The versatility of the C 747 is apparent as the mic is capable of handling a range of instruments and positions, including overhead positioning for its brilliant sound reproduction and its unobtrusive optical appearance and is also included in numerous broadcast stations, recording studios, theaters, opera houses, churches, conference rooms and lecture halls.

The redesigned C 747 V11 eliminates unwanted interference by mobile phones and wireless mics with the addition of an integrated RFi shield and the frequency response has been fine-tuned in order to provide a clear, understanding sound without changing the ambience of the classic C 747 sound.

With an enhanced hyper-cardioid polar pattern, the V11 provides consistent off-axis rejection to control ambient noise and feedback in acoustically challenging environments. Another feature, not existent in the earlier C 747, is a switchable LF roll-off filter that works to suppress mechanical noise. The low impedance pre-amp operates on 9 to 52 V phantom power without a transformer.

The C747 V11 ships with an extensive accessory set, including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link and windscreen.

AKG Introduces Redesigned C 3000 Condenser Microphone For both Studio and Onstage Applications

At Musikmesse, AKG announced the release of the redesigned C 3000 condenser microphone, suitable for every recording or live application. The cost-effective and aesthetically pleasing C 3000 microphone from AKG has been proven as a trusty and reliable workhorse for more that 15 years. The new C 3000 maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG’s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have.

Commenting on the redesigned C 3000 is Product Marketing Manager for Recording and Broadcast at AKG, Thomas Stubics. “Since 1993, the C 3000 has become a standard for a wide range of applications.” Stubics continues, “The only thing our customer wanted us to change was the appearance so we included AKG’s new Corporate Design, which has also been included on recently launched products like the proven D 5 hand-held vocal mic and the brand-new K 702 Reference Class headphones.”

The C 3000 features a 20Hz to 20kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10dB preattenuation increase in SPL capability by 10 dB and accommodates loud instruments and amplifiers with ease. The switchable first-order 500Hz low frequency filter eliminates the proximity effect for close-miking. The standard accessories are a metal carrying case and a spider-type shock mount.

Proven for more than 15 years and affordably priced, the C 3000 is an excellent choice for every high quality recording or demanding live sound application.

AKG Showcase Architectural Microphone Shaped Sound Series at MusikMesse

Based acoustically on the classic AKG Blue Line Series, the newest addition to AKG’s product line-up, the Architectural Microphone Series (AMS) is representing itself to be the latest must-have in microphones. With a new wave of customizable possibilities in microphones, the AMS guarantees that conference rooms will never be the same again.

The AMS series allows users to customize the microphone by easily adjusting the length of the gooseneck module as well as selecting various designs for the shape of the capsule housing unit. The self-designed microphone can be personalized with any color as well as a shiny gold, chrome or a cool nickel finish for professional settings. In total, the entire microphone series are available in more than 6,840 customizable settings.

Premium studio microphones, like the AMS, are characterized by a very flat frequency response, low self-noise and a consistent polar pattern. Three precision transducers make up the Series, all with different polar patterns, including a Carioid, an omni-directional and a hyper-cardioid.

Beside the 3 different polar patterns to match different room acoustics, the AMS showcases a diverse range of capabilities, such as flat frequency response for acoustic performance, gold sputtered ultra-low mass diaphragms, switchable bass cut filter and preattenuation pad. The series also offers an extremely high resistance to RF interference for extended versatility.

Adding on to the extraordinary attributes of the AMS, the mics are equipped with a bayonet coupling system with self-cleaning contacts and the Blue Line bayonet coupling system enables the capsules to be easily change.

With the installation of any of the microphones in the AMS, different mounting modules are available, including a wide range of specialized mounting accessories specifically dedicated to making the installation easy and can bring the microphone into place. Blended rubber material and high mechanical damping in the shock mounts help to eliminate any mechanical vibrations.

Studer Vista Console 5 Gains AutoTouchPlus Dynamic Automation

AutoTouchPlus, the renowned dynamic automation system that is part of the Studer Vista 7 and Vista 8 consoles, is now also available on the Studer Vista 5.

The recent upgrade means that the Vista 5, which is primarily a live production console, can now also be used for post production work, for example between live sessions.

All parameters of the console can be automated against timecode, in the most simple and intuitive way, using touch sensitive faders and Vistonics™ encoders.

The Vistonics screens elegantly display the current mix pass values along with the previously written mix data from the last mix pass, providing an informative overview provided by no other console on the market.

The existing MIDI port is used to read MTC (MIDI Timecode) to which the automation is then slaved. For systems based on linear SMPTE timecode (LTC), an optional LTC to MTC converter is available.

The main control panel for AutoTouchPlus, the virtual ACU (automation control unit) is displayed as a window on the Graphical Controller, and in addition, the most important buttons from this panel are provided on the desk surface as well.

Existing Vista 5 installations can be upgraded to this functionality from software version 4.2 onwards.

For more information, visit www.studer.ch

Soundcraft Showcases Lower-Priced Si2 Addition To Si Series Digital Console Family

Digital consoles seem to be freely flowing from the Soundcraft Studer team these days, as a new member of the Si Series is announced. The Soundcraft Si2 is a smaller partner to the Si3 launched only in September last year, and is bound to appeal to those wanting a compact and highly-featured digital console at a competitive price.

The Si2 comes in a smaller footprint than its bigger brother, and has 48 mic inputs mapped on 24 faders (the Si3 has 64 inputs), but this is where the differences end. The Si2, like the Si3, has four dedicated Stereo Line channels, four dedicated FX Returns from the four stereo Lexicon FX processors, 8 balanced insert sends and 8 balanced insert returns. Si2 is complete with 24 Group/Aux busses available at all times, 8 matrix busses and a full complement of monitor talkback and main bus outputs. One of the most unique and compelling features of the Si series is that every input and output has its own dedicated input (output) socket on the back of the console.

Like the Si3, the Si2 uses a combination of rotary encoders and OLED screens on every channel so the engineer mixes at source, without recourse to a central screen, an interface welcomed by many engineers since the console’s launch last year. Four assignable on-board lexicon effect engines supplement 4 stereo inputs to provide a really powerful mix package in a width of 1.4m for a UK list price of £17,950.

This package will be highly suited for installations where a smaller footprint is critical, such as theaters, houses of worship and smaller tour sound systems.

With all input and output connections and power supply on board, the Si2 can simply drop in where an existing analog console sits, utilizing existing copper cable snakes and splitter systems.

For more information and to find out what the reviewers are saying, visit www.soundcraftdigital.com.

AKG Expands Industry-Leading WMS 4500 Capabilities With The Addition Of Two New Frequency Bands

Today at Musikmesse, AKG announced the addition of two new frequency bands to the WMS 4500 wireless system capabilities with the introduction of Band 7 and Band 8. The recent expansion to the WMS 4500 frequency range now allows users to operate on two additional user channels and multi-channel applications in today’s crowded RF environment.

The two new frequency bands, Band 7 (500-530 MHz) and Band 8 (570-600 MHz), support the WMS 4500 system’s components; the SR4500 receiver unit, the PT4500 emitter and the HT4500 handheld microphone unit.

Since the wireless systems release at InfoComm 2008, the WMS 4500 has been selected for large-scale events such as the 2009 GRAMMY’s, and has produced outstanding results for artists such as Steven Tyler, Missy Elliott, Busta Rhymes, Kanye West, Jay-Z and Brooks & Dunn.

The WMS 4500 offers a wide range of available components for operational adaptability and has been modified for greater durability and flexibility with accompanying wireless applications.

The SR4500 receiver unit features an adjustable backlight setting, a factory reset, modified presets and the elegant new casing displays a stylish stage black finish. The receiver’s internal software features AutoSetup for inter-modulation free channel selection, EnvironmentScan settings for RF range scanning, and a RehearsalMode selection, which can be used to save system data during rehearsal set-up. Important settings like squelch threshold, carrier frequency selection, and the listed user name can be edited and stored with an easy-to-use menu.

The PT4500 emitter has also been redesigned with enhanced durability that protects the system from years of rigorous stage use. The major electronic components are enclosed in a metal casing for protection.

The PT4500 bodypack accepts both microphone and line-level input signals as well as adjustable input sensitivity. A lockable TA-3F Mini-XLR attachment easily connects with a broad range of AKG headsets, lavalieres, instrument microphones and instrument cables.

The HT4500 handheld transmitter also features an updated metal casing with a stage black finish that allows for interchangeable microphone modules to be removed and switched to meet any vocalist’s needs. Models available for the WMS 4500 system include the D5, C5900, C5, and C535 EB, as well as the new D7.

The WMS 4500 can be integrated into a Harman HiQnet™ system using the optional HUB 4000 Q. With the System Architect™ software, the WMS 4500 can be configured, controlled, and monitored remotely from a PC. System Architect makes frequency management incredibly easy with tools like the new 1 Click Setup RF Monitor, Device Manager, Environment Scan and Auto Setup.

AKG Introduces LC: Versatile Light Condenser Premium Vocal Microphone For Every Application

- Designed for a wide range of applications ranging from vocals and live sound to recording and studio use, the Light Condenser Premium Vocal Microphone from AKG is an affordable acquisition for any musician. The professional condenser vocal microphone produces outstanding performance through the loudest mix or on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. Custom-designed with piano black painting we want to address the aesthetic preferences of special performances with this slim line premium condenser microphone.

Delivering an extremely accurate, detailed and natural sound, the AKG LC features an XLR connector module with 24-carat gold plated pins for optimized connectivity, as well as resistance to corrosion and humidity. Additionally, the LC features a spring steel wire-mesh grill for extreme ruggedness offering reliable control of pops and wind noise while an artist is on stage.

The resulting LC microphone features a frequency range of 60 to 20,000 Hz and premium 24-carat gold plated transducer case for optimum conductivity. Not only is the sonic quality of the microphone aimed at complementing each voice, so too is the aesthetic design of the LC. Offering a slender and elegant silhouette, the lightweight unit has a subtle piano black finish to visually complement any performance.

Commenting on the versatility of the microphone, Vice President of Marketing and Product Management for AKG, Alfred Reinprecht states, “The LC microphone from AKG is designed for every individual user to create their own individual sound in a range of different applications. It is aesthetically pleasing and produces outstanding sound quality despite the harshest stages conditions.”

Standard accessories are the PC 1000, which adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz for improving clarity of each voice, a beautiful protective mic case and the stand adapter SA 61.

• Condenser vocal microphone for onstage use
• PB1000 Presence boost adapter for increased intelligibility
• XLR connector module with 24-carat gold plated pins
• 24-carat gold plated transducer case for optimum conductivity and resistance to corrosion and humidity
• Spring steel wire-mesh grill for extreme ruggedness incl. reliable control of pops and wind noise
• Shock mount

AKG Unveils New Flagship – The Perception 820 Tube Microphone

Today at Musikmesse, AKG announced the most recent addition to the Perception Series of microphones with the introduction of the highly anticipated Perception 820 Tube. AKG’s industry–leading Perception Series of condenser microphones are recognized for their outstanding quality and versatile capabilities at an affordable price.

The Perception 820 Tube proudly joins the Perception Series family, which includes the P 120, P 170, P 220 and P 420. Each microphone features a 20 dB attenuation pad and a low cut filter for an extensive range of microphone capabilities, including vocals, brass instruments, electric guitar amps and overhead miking.

“The AKG Perception 820 Tube microphone brings not only warmth and outstanding sound quality as a new flagship, but it also raises the bar in its class of affordable tube microphones,” comments Thomas Stubics, Product Marketing Manager for Recording and Broadcast at AKG. “In contrast to many other affordable tube microphones, the Perception 820 Tube delivers real tube sound quality. The anticipation for the release of this product was very high, and we are extremely happy to release the Perception 820 Tube at Messe,” Stubics adds.

The Perception 820 Tube’s features are endless. The dual one-inch True Condenser Large Diaphragm capsule delivers a clear and accurate signal that is perfect for lead vocals, brass instruments, overhead miking and many other applications. The ECC 83 dual-triode tube circuitry and the output transformer emphasize even-order harmonics for rich, smooth and three-dimensional sound. The elegant remote control unit allows selection of 9 different pickup patterns from omni-directional to cardioid to figure eight. In addition, it also controls the switchable second-order bass-cut filter and the switchable attenuation pad. Moreover, a ground lift switch prevents unwanted hum if necessary. The brush-finished, anodized aluminum front plate and the all-metal housing unit ensure maximum shielding against radio frequency interference.

Designed and engineered in Vienna, Austria, the entire Perception line offers AKG’s signature sound quality captured in a rugged precision-tooled zinc/aluminum alloy body with a dent-resistant, stainless steel grille screen.

The Perception 820 Tube comes complete with a robust metal carrying case, a classy spider-type shock mount, a microphone cable and the versatile remote control unit.

AKG Announces New Limited Edition D 7 LTD Reference Class Dynamic Microphone

– AKG announced the release of the redesigned and limited edition D 7 LTD vocal microphone today at Musikmesse. AKG’s new reference dynamic microphone delivers high-end performance and exceptional sound for every studio and on stage application. The new deep-drawing Laminated Varimotion diaphragm allows the microphone to be fine-tuned without any extra tuning resonators. Also, the aesthetically pleasing D 7 LTD offers an elegant silhouette to visually compliment any performance.

The redesigned D 7 LTD creates a subtle and full-bodied sound in all frequency ranges that condenser microphones are famous for, but the D 7 LTD also has the powerful resonance to be an industry-leading dynamic microphone. The integrated high-pass filter permanently eliminates all handling noises and the new acoustical designed inner windscreen provides users with additional protection from unwarranted interruptions in live applications. The inner windscreen of the D 7 LTD can be replaced with the extra windscreen that is supplied with the microphone, to further expanding the lifespan and durability of the microphone.

“The release of the D 7 LTD microphone continues our dedication to providing the microphone industry with the most versatile and professional sounding microphone for every recording and live stage applications,” comments Alfred Reinprecht, Vice-President of Marketing at AKG. “The D 7 is a mainstay for many famous recording artists world-wide and we anticipate the same outcome for the D 7 LTD,” Reinprecht concludes.

JBL Builds On Success Of PRX Series With PRX512Mi and PRX718S Powered, Portable Loudspeakers

Bringing a new level of versatility and performance to its groundbreaking PRX Series powered, portable loudspeakers, JBL today introduced the PRX512Mi multipurpose powered loudspeaker and the PRX718S high performance powered subwoofer. These additions bring the total number of models in the PRX Series to seven and provide performing musicians, DJs and sound companies with more power and flexibility than ever before.

The PRX512Mi is a 12-inch, 2-way, truly multipurpose, self-powered sound reinforcement system, with a frequency range of 46 Hz to 20 kHz. The PRX512Mi is comprised of a 12-inch Differential Drive® woofer, a neodymium compression driver mounted to a 70 x 70-degree horn, all driven by a multichannel Crown International Class-D digital power amplifier. The PRX512Mi features 400-watt low-frequency and 100-watt high-frequency amp channels, while weighing only 18 kilos (40 pounds).

At the core of the PRX512Mi is a fully integrated DSP input section, providing mic/line level input, selectable system EQ, and a premium A/D converter for a maximum signal-to-noise ratio. The multipurpose enclosure makes the PRX512Mi ideal as a main PA or stage monitor, while a dual socket pole mount, eight standard M10 suspension points and one M10 pull-back point enables a new level of multi-functionality.

“The JBL PRX512Mi delivers a true universal solution for gigging musicians, DJs and A/V rental companies alike,” said Simon Jones, Director of Portable PA Marketing, JBL Professional. “It’s compact, powerful, lightweight and highly versatile. It’s the definition of portable PA versatility.”

Also new to the PRX family, the PRX718S is an 18-inch, self-powered subwoofer system, offering a frequency range of 33 Hz to 160 Hz, and a power rating of 1,400 watts peak. In addition to the 18-inch Differential Drive woofer, the PRX718S features JBL’s proprietary Dual-Bridge Technology™ (DBT), which directly links discrete amplifier channel outputs with each voice coil in the woofer, transferring the maximum amount of power in the most efficient way and improving the speaker’s overall performance. The PRX718S also offers a DSP input section for precise bandwidth control and limiting. Additional functionality includes a selectable high-pass filter on the stereo loop-through outputs and polarity reversal, all at a weight of 36 kilos (80 pounds), very light compared to competitive subwoofers at this price and power.

“The PRX718S delivers exceptionally accurate low-frequency reproduction right down to 33 Hz and it does so without compromising on portability,” Jones added. “Its performance-to-weight performance is unparalleled, making the PRX718S a truly high-performance, portable PA subwoofer. All in all, the additions of the PRX512Mi and PRX718S provide the successful PRX series with even more power and versatility.”

JBL Professional Announces Availability Of Bags, Covers and Cases For Its Portable PA Loudspeakers

In a move designed to make its industry-leading portable loudspeakers even easier to transport and protect, JBL has teamed with Gator Cases to develop a line of bags, covers and cases specifically designed for JBL portable PA speakers, including the EON, PRX, and SRX Series.

Gator will exclusively sell this new line of bags, covers and cases to JBL U.S. dealers, and to JBL distributors around the world. The line currently entails more than 25 innovative, easily portable models, including form-fitted bags for the new-generation EON speakers.

“As JBL continues to define the portable PA market through innovation and a keen eye on the needs of its customers, this new line of accessories provides even more convenience and value to the end-user,” said Simon Jones, Director of Marketing, Portable PA, JBL Professional. “Our collaboration with Gator Cases in developing this line reinforces our commitment to providing our customers with truly portable solutions, while also helping to protect their investments.”

For additional information on this new line of bags, covers and cases, please visit www.jblbags.com

Harman Professional To Demonstrate Preview of End-To-End Ethernet AV At Pro Light & Sound

Harman SDIG Vice President, Rick Kreifeldt, will also present a paper on developments by the IEEE 802.1 Bridging Task Group on delivering uninterrupted audio and video over standards-based Ethernet.

Bringing to fruition over three years of research and development as well as comprehensive participation and leadership in the IEEE AVB 802.1 Audio/Video Bridging (AVB) Task Group initiative, Harman Professional today announced it will demonstrate Harman HiQnet™ products streaming Ethernet AV in a technology preview at Pro Light & Sound in Frankfurt, Germany on April 1, 2009. The company will showcase several new Ethernet AV products including a dbx SC 32 Digital Matrix Processor, and a Crown CTs amplifier all connected with an Ethernet AV switch at Stand G42 in Hall 8. An Ethernet AV architectural wall-plate from BSS Audio will also be on display.

The demonstration follows Harman’s participation in the IEEE 802.1 AVB workshop with AVB Task Group co-members at the 125th AES Convention in San Francisco. Presenters included Robert Boatright, Director of Research, Harman International, Matthew Xavier Mora, Software Engineer and Michael Johas Teener, Technical Director & Plumbing Architect, Broadcom Corp — all members of the IEEE 802.1 AVB Task Group. (http://www.aes.org/press/?ID=24)

“Today’s announcement is the product of considerable labor, remarkable inter-company cooperation and uncommon leadership by a group of dedicated engineers at the IEEE AVB 802.1 AVB Task Group,” said Rick Kreifeldt, Vice President, Harman System Development & Integration Group (SDIG). “Harman has long been a very active participant in this group and we’re very pleased to see the momentum this initiative has generated from such a diverse host of technology companies. We’re also very pleased to demonstrate working end-to-end Ethernet AV across products from three Harman companies at Pro Light & Sound next week.”

The IEEE 802 working groups, a coalition of leading technology companies from professional audio and video, semiconductor, networking, computing and consumer electronics have been working on protocols that allow the building of standards-based networks with the appropriate quality of service for high quality audio performance and production. This new set of standards, developed by the IEEE 802.1 (AVB) Task Group, provides three major enhancements for 802-based networks:

• Precise timing to support low-jitter media clocks and accurate synchronization of multiple streams

• A simple reservation protocol that allows endpoint devices to reserve the bandwidth in a path to guarantee quality of service for audio/video streams

• Queuing and forwarding rules that ensure that audio/video streams will pass through the network within the delay specified by the reservation

The enhancements enabled by IEEE 802.1 standards require no changes to the Ethernet lower layers and are compatible with all the other functions of a standard Ethernet switch. As a result, the entire Ethernet ecosystem is available to developers—in particular, the various high speed physical layers (up to 100 gigabit/sec in current standards), security features (encryption and authorization), and advanced management (remote testing and configuration) features.

Commenting on the announcement, Michael MacDonald, Harman Professional Executive Vice President of Marketing & Sales noted, “The benefits of this technology will resonate widely to audio professionals in many disciplines from fixed install to broadcast to cinema, tour sound and beyond: networked systems will become easier to deploy and use and will become both more affordable and ubiquitous. I am certain that standards-based Ethernet AV will take professional grade audio — and audio professionals — to markets and opportunities our industry has never before addressed!”

Echoing this sentiment, Robert Boatright, Director of Research of Harman International’s Corporate Technology Group and Chair of the IEEE 1722 AVB Transport Protocol Working Group noted, “Ethernet AV brings a new level of simplicity, elegance, and interoperability to system design while delivering professional-grade performance. This technology will bring media networking to a wider array of applications than has ever been seen before. Working with my colleagues at Harman and peers on the IEEE (AVB) Task Groups to develop Ethernet AV has been a privilege. I’m looking forward to the near future where widely deployed audio and video networks are the norm and not just the top of the pyramid!”

On April 3, at 2:15PM in Room Symmetrie 3, Rick Kreifeldt, will present a paper entitled The use of IEEE AVB standard networking in professional A/V applications on developments by the IEEE 802.1 Bridging Task Group. The IEEE 802.1 community has been developing enhancements to Ethernet for guaranteed delivery of time synchronous low-latency high-performance audio and video. The features and benefits of this new technology will be presented with a special focus on how the challenges of large-scale Pro A/V applications are uniquely serviced. Details are available at

Patented Harman HiQnet™ is the world's first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. Harman HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across Harman’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

Harman International Industries, Incorporated (www.harman.com), designs, manufactures and markets a wide range of audio and infotainment products for the automotive, consumer and professional markets. Harman International maintains a strong presence in the Americas, Europe and Asia, and employs more than 11,000 people worldwide. The Harman International family of brands includes AKG®, Audioaccess®, Becker®, BSS®, Crown®, dbx®, DigiTech®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson®, Revel®, QNX®, Soundcraft® and Studer®. Harman International’s stock is traded on the New York Stock Exchange under the symbol “NYSE: HAR.”