Lexicon® Introduces PCM92 Stereo Reverb/Effects Processor for Live And Studio Applications

Lexicon®, a Harman International Company (NYSE-HAR), today introduced the PCM92 Stereo Reverb/Effects Processor. For over 35 years Lexicon has been considered the golden standard of digital reverb and effects processing. The PCM92 utilizes the latest DSP technology and the finest collection of classic Lexicon algorithms to offer the ultimate processor for live and studio applications. Delivering 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive library of over 700 factory presets, the PCM92 represents the most advanced audio processor in its class.

The PCM92 delivers new capabilities to traditional reverbs by adding multimode filters in the audio flow. This allows more exact shaping of the reverb while still maintaining that distinctive smooth, rich “Lexicon Sound.” Also, all reverbs have an “Infinite” switch that allows the reverb to run forever, which is useful for creating unusual backgrounds and sound effects.

The Lexicon Room algorithm provides a more flexible alternative to convolution type reverbs. Reflection patterns can be easily selected, scaled and equalized all while simultaneously passing audio, and the room size can be instantly changed or reversed. The Room algorithm provides the inherent realism of the actual space with all the precise control and manipulation that is only possible with a reverb synthesizer.

The PCM92 features the highly acclaimed Hall, Concert Hall and Random Hall reverb algorithms that have regularly been used by live sound and recording engineers because of their exceptional ability to reproduce the musical ambience of large, wide, panoramically wonderful spaces.

Designed as a single rack space processor with two channels of balanced XLR or ¼” analog I/O and two channels of XLR AES/EBU digital I/O, along with MIDI, Wordclock, and Ethernet, the PCM92 complements any mixing console or integrates easily with your DAW and features 24-bit A/D-D/A conversion and 44.1 to 96 kHz sample rates.

The easy to use front panel keeps the most important parameters within reach on the high-resolution display for easy editing. To supplement front panel navigation for live applications, the PCM92 can be configured and fully controlled remotely through Harman HiQnet System Architect™. The foot switch and foot controller inputs offer additional flexibility for the live performer.

The PCM92 has a suggested retail price of US $2699 and will be available in November 2009. Following in the tradition of decades of legendary Lexicon audio processors, the PCM92 offers the highest level of sonic quality that is easily deployed in Front-of-House as well as the recording studio.




The Lexicon PCM92 Stereo Reverb/Effects feature set includes:
• Lexicon® studio-standard reverbs, delays, and modulation effects
• Comprehensive library of over 700 finely crafted factory presets, including recognizable classics from Lexicon’s immense library of sounds
• Lexicon’s flexible Room algorithm used to generate a vast array of room-related effects for music and post
• Multi-voice pitch shift to enhance vocals
• Mono and stereo versions of all algorithms
• Full system configuration and control with HiQnet System Architect™
• 44.1 to 96 kHz sample rate, 32-bit floating point processing
• Two channels balanced analog I/O (XLR and ¼”)
• Two channels XLR digital AES/EBU I/O
• External BNC Wordclock
• MIDI in, out, and thru
• Ethernet connectivity
• Foot controller inputs make it easy to change presets and adjust parameters during live performances
• High-resolution OLED display is easy to read in all light conditions

Harman HiQnet™ is the world's first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. Harman HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across the Harman Pro Group and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

Lexicon is a unit of Harman International Industries, Incorporated (www.harman.com).
Harman International designs, manufactures and markets a wide range of audio and infotainment products for the automotive, consumer and professional markets, and maintains a strong presence in the Americas, Europe and Asia, employing more than 11,000 people worldwide. The Harman International family of brands includes AKG®, Audioaccess®, Becker®, BSS®, Crown®, dbx®, DigiTech®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson®, Revel®, QNX®, Soundcraft® and Studer®. Harman International’s stock is traded on the New York Stock Exchange under the symbol “NYSE: HAR.”

Lexicon® Launches Highly Anticipated PCM Native Reverb Plug-In Bundle

Lexicon, a Harman International Company (NYSE-HAR), today has rocked the audio industry with the introduction of its groundbreaking new PCM Native Reverb Plug-In Bundle.  For over 35 years Lexicon has been considered the golden standard of digital reverb and effects processing and has continuously introduced leading edge technology for the audio industry.  After years of research and significant advances in computer processing speeds, Lexicon has developed the PCM Native Reverb Plug-In Bundle which provides seven legendary Lexicon reverb algorithms that are designed to deliver the highest level of sonic quality and function, and offer all the flexibility of a native plug-in.

The Lexicon PCM Native Reverb Plug-In Bundle is the ultimate studio plug-in for creating professional, inspirational mixes within popular DAWs like Pro Tools and Logic, as well as with any other VST, Audio Unit, or RTAS compatible host.  These pristine algorithms represent Lexicon’s state-of-the-art technology now in highly efficient native plug-ins that are designed to elevate the sonic qualities of native reverb plug-ins to an entirely new level and provide that smooth, rich sound that is unmistakably Lexicon.

This powerful reverb bundle includes algorithms which will change the way you color your mix. The PCM Native Reverb Plug-In Bundle includes unique plug-ins for each algorithm including: Vintage Plate, Plate, Hall, Room, Random Hall, Concert Hall, and Chamber with hundreds of the most versatile and finely crafted studio presets including recognizable classics from Lexicon’s immense library of sounds.  Librarian functionality allows the user the option to take an available preset, adjust the parameters, compare it to the original and then return to the edited preset.  Presets can also be saved off in a DAW independent file format allowing a user to easily move custom presets to any DAW.

With all the flexibility users have come to expect from a native plug-in, each algorithm can be run in mono, stereo or a combination of the two.  The user interface is extremely intuitive with a “pro or go” mode which enables the user to easily access nine of the most logical parameters for customization, but also provides the ability to transition deeper into the algorithm to edit the full matrix of parameters.  Input and Output Meters allow a user to quickly assess the audio levels going to and from each algorithm while the EQ section makes it possible to visually dial in the EQ settings for both the early and late reflections of the algorithm. To add another tool to the user’s arsenal, each algorithm is complemented with three different real time displays providing graphical insight into what is happening inside of the different frequency stages of the reverbs.

The PCM Native Reverb Plug-In Bundle is ideal for recording and post-production environments where unsurpassed quality is required. It is a fully functional cross-platform plug-in that is compatible with Windows XP, Vista, and 7 along with MAC OSX 10.4, 10.5, 10.6, Power PC and Intel based. The Bundle is Native only, and requires iLok authorization. It will be available in November 2009 with a suggested retail price of US $1899.

The Lexicon PCM Native Reverb Plug-In Bundle feature set includes:

• Seven legendary Lexicon algorithms

• Hundreds of brilliantly crafted studio presets

• Graphical real-time display showing the different frequency stages of each algorithm

• Visual EQ section for easy adjustment of both early and late reflections

• Preset Save/Restore allows custom presets to be transferred between any DAWs

• Configurations include mono to mono, mono to stereo, and stereo to stereo

• VST, Audio Unit, and RTAS support

• Compatible with Mac OS X 10.4, 10.5, 10.6

• Compatible with Windows XP, Vista, and 7

• Full parameter control and automation

• Soft Row navigation

• iLok authorized

JBL MSC1 Monitor System Controller With RMC™ Debuts At AES 2009

At AES 2009, JBL Professional is introducing the MSC1 Monitor System Controller, a remarkable new product that integrates monitor system control and tune-ability at a most accessible price point. The MSC1 Monitor System Controller includes features found in large mixing consoles to control essential monitoring functions from the mix position. Since the acoustic issues in the room can compromise the quality of the mix, the MSC1 includes JBL's highly acclaimed RMC™ Room Mode Correction Technology that tunes the monitor system to over come low frequency problems in any room. The affordable MSC1 works with any speaker system, and is the perfect add-on to JBL’s new LSR2300 Series studio monitors.

The MSC1 provides the ability to monitor up to three 2-channel input sources, such as a mixing console, computer workstation, and personal music player while controlling the volume of the monitor system and connected headphones. The MSC allows connection of two sets of speakers and a subwoofer. The primary “A” speaker outputs include user-defined monitor EQ and JBL RMC to tune the system to the room. The subwoofer output has its own level control, selectable crossover settings and RMC to perfectly blend a sub with the “A” speakers. The “B” speaker outputs allow connection of a secondary set of studio monitors. Included MSC1 Control Center Software allows access to user-adjustable settings including speaker equalization, subwoofer crossover frequency, subwoofer polarity and level, and fine-resolution delay that can be applied to compensate for variations in speaker and subwoofer distance relative to the listening position.

Since much of today’s production is carried out in rooms with less-than-perfect acoustics, the MSC1 Monitor System Controller includes JBL’s highly acclaimed RMC Room Mode Correction Technology. RMC measures the room and automatically tunes the speakers to compensate for low frequency anomalies caused by room modes, proximity to walls and the work surface. RMC calibration is simply carried out using a supplied calibration microphone and MSC1 Control Center Software. During the RMC calibration, the software measures the room, calculates and downloads corrective filter coefficients to the MSC1 and balances the primary speakers and subwoofer within a ¼ dB. Following calibration, the MSC1 operates as a stand-alone unit without the need for connection to a computer.

“Our LSR6300 and LSR4300 Series Studio monitors were first speakers with RMC and they are embraced by professionals worldwide,” said Peter Chaikin, JBL Director of Recording and Broadcast Marketing. “With the launch of our new LSR2300 Series Studio Monitors, we wanted to offer a most affordable solution that enhances the work-flow while tackling problems in the room. Our new MSC1 provides engineers and musicians with a highly affordable, highly functional option to turn any room into an optimized environment for mixing audio.”

The MSC1 will be available in October 2009 at a US Manufacturer’s Suggested Retail Price of $375.00.

More at www.JBLPRO.com/MSC1.

Soundcraft Unveils new Vi2 Console At AES 2009

Soundcraft is now offering a Vi Series control surface for applications where space is very tight.. The new Soundcraft Vi2™ inherits all the basic functionality of its larger brothers the Vi4 and Vi6, but measures just 850mm in width, around half the size of a Vi6.

The Soundcraft Vi2 is equipped with one channel section of eight input faders, and the master section, which holds 8 faders. The Vi2 can handle as many inputs as a Vi4 or Vi6 (72 and 96 channels, respectively) using the standard stagebox and local rack hardware, with access to eight inputs at a time on the channel bay. By simply touching the input meters on the Vistonics™ screen of the master section, control of those inputs is brought onto the channel faders, along with all the channel functionality such as EQ, auxes, groups etc.

In addition to the meter selection, three fully customizable layouts of the eight input faders are available via the new user-defined fader page feature that is part of the V4.0 software update for all Vi consoles.

The Soundcraft Vi2 will therefore appeal to anyone who wants to use a Vi console but has more limited space than usual in which to operate. For example, it could be easily brought in at stage side for monitors alongside an existing console at festivals, or in corporate events where input access is less demanding than a multi-piece live band. The Vi2 is also suitable for use as a space-efficient spare console, and as an easily transportable training or programming unit. The Vi2’s Show files are fully compatible with Vi4 and Vi6 consoles, and also with the Virtual Vi Offline Editing software.

All the usual processing is accessible via the Local Rack, and even the 30-band graphic EQ’s are available, by using a new paging system, accessed via the eight output section faders and included in the new V4.0 Vi software for Vi4 and Vi6.

The Soundcraft Vi2 provides a cost-effective and useful accessory for existing Vi4 and Vi6 owners, who can use a Vi2 surface with their existing racks, which helps maximize rental inventory usage so that Vi console systems can be used on both large and small-scale productions.